I recently attended the Doug Aitken exhibit at MOCA Geffen. There is so much discovery and range in this show. It revives you and commands your attention to submerge into each installation. For me leaving each show felt like waking from a good nights sleep filled with wonderful dreams.
Doug Aitken is an American artist and filmmaker. Defying definitions of genre, he explores every medium, from film and installations to architectural interventions.
His work has been featured in numerous exhibitions around the world, in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, the Vienna Secession, the Serpentine Gallery in London and the Centre Georges Pompidou in Paris. He participated in the Whitney Biennial 1997 and 2000 and earned the International Prize at the Venice Biennale in 1999 for the installation “electric earth”. Aitken received the 2012 Nam June Paik Art Center Prize, and the 2013 Smithsonian Magazine American Ingenuity Award: Visual Arts.
Aitken’s “Sleepwalkers” exhibition at MoMA in 2007 transformed an entire block of Manhattan as he covered the museum’s exterior walls with projections. In 2009, his Sonic Pavilion opened to the public in the hills of Brazil at the new cultural foundation INHOTIM. Aitken presented his large-scale film and architecture installation, “Frontier”, on Rome’s Isola Tiberina in 2009 and in Basel in 2010. “Black Mirror” featured a video installation and a live theatre performance on a uniquely designed barge floating off Athens and Hydra Island, Greece in 2011.
“Altered Earth” explored the ever-changing landscape of Arles, France through moving image, sound and architecture and was commissioned and produced by the LUMA Foundation in 2012. “SONG 1”, also took place in 2012 and wrapped the Hirshhorn Museum in Washington DC in 360-degree panoramic video projections, transforming the concrete exterior into an audiovisual spectacle. In 2013, Aitken created “MIRROR” at the Seattle Art Museum, which utilized hundreds of hours of footage changing in real time in response to the life around it, transforming the museum exterior into a living kaleidoscope.
Aitken curated Station to Station, which took place over three weeks in September 2013. A train, designed as a moving light sculpture, broadcast content to a global audience as it traveled from New York City to San Francisco making nine stops along the way for a series of happenings. A feature film and a book about the project were released in 2015.
Station to Station next took over the Barbican Centre in London for 30 days in the summer of 2015 to create a month-long happening featuring over 100 artists, musicians, dancers, designers and other creative figures.
In September 2016, a major survey of Aitken’s work will open at the Museum of Contemporary Art (MOCA), Los Angeles.